Course Work

Work in this course takes several forms: assignments, exercises, quizzes and a final project.

The assignments and exercises must be completed in M373, though you can often accomplish a lot using the Macs on the same floor of the Music Library as M373. You can work in M373 any time there is not a class in session (see the schedule). Assignments are creative projects oriented around a particular set of technical concerns. You make music while fulfilling requirements that help you learn the software. Assignments are graded. Exercises are more limited and less time-consuming than assignments; they are graded pass/fail.

Quizzes test your comprehension of the course web pages, the things I say in class, and optional reading assignments. Topics include the MIDI system, acoustics, digital audio theory, and various functions of the software we use. You take the quizzes online during class.

The final project will be a musical work that employs the skills learned in class. There are fewer technical requirements and constraints for this project than for the assignments, so this is your chance to branch out. Most people will want to use the equipment available in M373, but I permit those with access to other equipment to do some or all of their work on the project using it. The project is due at the beginning of the last week of classes. All projects will be played over the speakers during the remaining classes, accompanied by groovy video images.

There will be some time set aside during class for individual work, with help from the instructor. But do not assume that working only during class time will be sufficient. You must work outside of class in order to do well.

Grading Policy

Course work handed in after the due date may be assessed a late penalty.
Assignment 1 14%
Assignment 2 14%
Assignment 3 14%
Assignment 4 14%
Final Project 16%
Quiz 1 14%
Quiz 2 14%
The exercises are graded pass/fail. Each failing exercise will lower your final course grade by 2 points.

Note for N561 students: You have additional requirements.

Attendance Policy

Because much of the material in this class can only be mastered from hands-on experience and in-class observation, more than two unexcused absences will result in a lowered grade.

Absences will be considered excused only in the following cases:

  1. Illness, verified by a note from a Bloomington health care provider who is not a relative
  2. Family emergency
  3. Religious holiday
  4. School-sanctioned event (e.g., athletic, musical, etc.)
  5. Travel for a job interview
In all these cases, please notify me by email before the missed class begins, unless there's a good reason why that's not possible.

The same goes for being consistently late to class. Five late arrivals equals one unexcused absence. If you arrive after I've taken roll, you're late. In that case, it's your responsibility to see that I've taken note of your attendance by asking me right after the class is over.

Leaving class early without having a very good reason and notifying me is equivalent to a late arrival.

Checking email, Facebook, or other web material during class will result in an unexcused absence. If you're doing those things, it's as if you aren't in class.

Please make a habit of directing your attention away from the computer and toward me when I'm offering instruction or discussing class business.

Each unexcused absence after the second reduces your final grade by 1 point. For example, if you have 4 unexcused absences, and your final grade would otherwise be 91 (A-), then factoring in your unexcused absences would give you 89 (B+). If you have more than 6 unexcused absences, then each absence over 6 costs you 2 points.

There is no way to "make up" for unexcused absences. I do not offer extra credit assignments, nor do I let people take quizzes over.

Reading

I assign optional readings from this book:
Pellman, Samuel. An Introduction to the Creation of Electroacoustic Music. Wadsworth, 1994.
There is one copy of this book on Open Reserve on the first floor of the Music Library (call number: ML1380.P39 I5, listed under Permanent Reserves for Prof. Hass). Consult this if you don't understand my PowerPoint slides.

I also assign readings from various web sites, and I expect you to absorb all the terms and concepts presented in the assignment instructions on the course web site.

Manuals for the Korg keyboards and some of the software we use are available on Open Reserve.

Required Class Materials

You'll need a USB2 flash drive to back up your work. This type of drive is the size of a key chain, so it's very convenient to carry around. It plugs directly into one of the USB ports on the rear right-hand side of the iMac. You should be able to find one that stores 2 GB for $20-30. That's more than enough space.

I strongly recommend that you dedicate a flash drive to your work on the Mac and format the drive for Mac OS X. If you have no way to do that, let me know, and I'll do it for you.

We will also be using a file server to store your work, but do not rely on this as your only backup media!

Headphones are required for the course. They may be checked out with your student ID at the Music Library Circulation Desk (on the first floor) before class, or you may bring your own (with a 1/4" adapter if necessary).

If you want to buy your own headphones, go to Best Buy or a similar store, and try them on and listen to them before buying. You want something comfortable. For the best isolation from noises in the room, get a closed-ear design, not an open-ear.

Make sure you leave enough time BEFORE class to check out headphones!

Class Preparation and Participation

Students in this course have a wide variety of backgrounds. Some are music majors, others are Telecom students, and still others have little experience with music or computers. Whatever your background, I'll expect consistent progress and effort throughout the semester. This means you should be prepared to answer questions about the reading assignments, participate in class discussions, and not simply fulfill the technical requirements of the projects, but also challenge yourself musically and creatively.

For technical questions, or to set up individual help, please email the instructor. It is your repsonsibility to ask for this help in a timely fashion (i.e., before assignments are due).

©2008, John Gibson